Lily
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Post by Lily on Aug 2, 2011 12:48:56 GMT -5
The Road Not Taken (By Robert Frost) Two roads diverged in a yellow wood, And sorry I could not travel both And be one traveler, long I stood And looked down one as far as I could To where it bent in the undergrowth; Then took the other, as just as fair, And having perhaps the better claim, Because it was grassy and wanted wear; Though as for that the passing there Had worn them really about the same, And both that morning equally lay In leaves no step had trodden black. Oh, I kept the first for another day! Yet knowing how way leads on to way, I doubted if I should ever come back. I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I-- I took the one less traveled by, And that has made all the difference. * * * Stopping By Woods on a Snowy Evening (By Robert Frost) Whose woods these are I think I know. His house is in the village though; He will not see me stopping here To watch his woods fill up with snow. My little horse must think it queer To stop without a farmhouse near Between the woods and frozen lake The darkest evening of the year. He gives his harness bells a shake To ask if there is some mistake. The only other sound's the sweep Of easy wind and downy flake. The woods are lovely, dark and deep. But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep. www.everypoet.com/archive/poetry/Robert_Frost/robert_frost_the_road_not_taken.htm
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charlotte
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Post by charlotte on Aug 16, 2011 4:22:08 GMT -5
These two remain my favourites
DULCE ET DECORUM EST by WILFRED OWEN.
Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of tired, outstripped Five-Nines that dropped behind. Gas! Gas! Quick, boys! – An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling, And flound'ring like a man in fire or lime . . . Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil's sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie; Dulce et Decorum est Pro patria mori.
AND ugh sorry for the lack of translation most of it is easy enough to make out:
ODE TO A LOUSE by ROBERT BURNS (it is basically him sat behind a posh lady in church watching a louse crawl up her very fashionable bonnet)
Ha! whare ye gaun, ye crowlin ferlie! Your impudence protects you sairly: I canna say but ye strunt rarely, Owre gauze and lace; Tho' faith! I fear, ye dine but sparely On sic a place.
Ye ugly, creepin, blastit wonner, Detested, shunn'd by saunt an' sinner, How dare ye set your fit upon her, Sae fine a lady! Gae somewhere else, and seek your dinner On some poor body.
Swith, in some beggar's haffet squattle; There ye may creep, and sprawl, and sprattle, Wi' ither kindred, jumping cattle, In shoals and nations; Whare horn nor bane ne'er daur unsettle Your thick plantations.
Now haud you there, ye're out o' sight, Below the fatt'rils, snug an' tight; Na, faith ye yet! ye'll no be right 'Till ye've got on it, The vera tapmost, tow'ring height O' Miss's bonnet.
My sooth! right bauld ye set your nose out, As plump and grey as ony grozet; O for some rank, mercurial rozet, Or fell, red smeddum, I'd gie you sic a hearty doze o't, Wad dress your droddum!
I wad na been surpris'd to spy You on an auld wife's flannen toy; Or aiblins some bit duddie boy, On's wyliecoat; But Miss's fine Lunardi! fie! How daur ye do't?
O Jenny, dinna toss your head, An' set your beauties a' abread! Ye little ken what cursed speed The blastie's makin'! Thae winks and finger-ends, I dread, Are notice takin'!
O wad some Pow'r the giftie gie us To see oursels as others see us! It wad frae mony a blunder free us, An' foolish notion! What airs in dress an' gait wad lea'e us, And ev'n devotion!
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Lily
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Post by Lily on Aug 16, 2011 10:57:25 GMT -5
"O wad some Pow'r the giftie gie us To see oursels as others see us!"
Priceless! I love this line. :-)
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charlotte
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Post by charlotte on Aug 16, 2011 11:49:48 GMT -5
Ye ugly, creepin, blastit wonner, Detested, shunn'd by saunt an' sinner, How dare ye set your fit upon her, Sae fine a lady! Gae somewhere else, and seek your dinner On some poor body. This is my favourite - the mock indignation and delight of seeing this creature on the fine lady. I get the impression he had a low opinion of her
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BlueLotus
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Post by BlueLotus on Nov 6, 2011 2:45:09 GMT -5
I fell in love with this poem when I was about six. It is something that stuck with me and I have since taught it to my son, right after winkin', blinkin' and nod! The Highwayman by A. Noyes.
PART ONE
I
THE wind was a torrent of darkness among the gusty trees, The moon was a ghostly galleon tossed upon cloudy seas, The road was a ribbon of moonlight over the purple moor, And the highwayman came riding— Riding—riding— The highwayman came riding, up to the old inn-door.
II
He'd a French cocked-hat on his forehead, a bunch of lace at his chin, A coat of the claret velvet, and breeches of brown doe-skin; They fitted with never a wrinkle: his boots were up to the thigh! And he rode with a jewelled twinkle, His pistol butts a-twinkle, His rapier hilt a-twinkle, under the jewelled sky.
III
Over the cobbles he clattered and clashed in the dark inn-yard, And he tapped with his whip on the shutters, but all was locked and barred; He whistled a tune to the window, and who should be waiting there But the landlord's black-eyed daughter, Bess, the landlord's daughter, Plaiting a dark red love-knot into her long black hair.
IV
And dark in the dark old inn-yard a stable-wicket creaked Where Tim the ostler listened; his face was white and peaked; His eyes were hollows of madness, his hair like mouldy hay, But he loved the landlord's daughter, The landlord's red-lipped daughter, Dumb as a dog he listened, and he heard the robber say—
V
"One kiss, my bonny sweetheart, I'm after a prize to-night, But I shall be back with the yellow gold before the morning light; Yet, if they press me sharply, and harry me through the day, Then look for me by moonlight, Watch for me by moonlight, I'll come to thee by moonlight, though hell should bar the way."
VI
He rose upright in the stirrups; he scarce could reach her hand, But she loosened her hair i' the casement! His face burnt like a brand As the black cascade of perfume came tumbling over his breast; And he kissed its waves in the moonlight, (Oh, sweet, black waves in the moonlight!) Then he tugged at his rein in the moonliglt, and galloped away to the West.
PART TWO
I
He did not come in the dawning; he did not come at noon; And out o' the tawny sunset, before the rise o' the moon, When the road was a gypsy's ribbon, looping the purple moor, A red-coat troop came marching— Marching—marching— King George's men came matching, up to the old inn-door.
II
They said no word to the landlord, they drank his ale instead, But they gagged his daughter and bound her to the foot of her narrow bed; Two of them knelt at her casement, with muskets at their side! There was death at every window; And hell at one dark window; For Bess could see, through her casement, the road that he would ride.
III
They had tied her up to attention, with many a sniggering jest; They had bound a musket beside her, with the barrel beneath her breast! "Now, keep good watch!" and they kissed her. She heard the dead man say— Look for me by moonlight; Watch for me by moonlight; I'll come to thee by moonlight, though hell should bar the way!
IV
She twisted her hands behind her; but all the knots held good! She writhed her hands till her fingers were wet with sweat or blood! They stretched and strained in the darkness, and the hours crawled by like years, Till, now, on the stroke of midnight, Cold, on the stroke of midnight, The tip of one finger touched it! The trigger at least was hers!
V
The tip of one finger touched it; she strove no more for the rest! Up, she stood up to attention, with the barrel beneath her breast, She would not risk their hearing; she would not strive again; For the road lay bare in the moonlight; Blank and bare in the moonlight; And the blood of her veins in the moonlight throbbed to her love's refrain .
VI
Tlot-tlot; tlot-tlot! Had they heard it? The horse-hoofs ringing clear; Tlot-tlot, tlot-tlot, in the distance? Were they deaf that they did not hear? Down the ribbon of moonlight, over the brow of the hill, The highwayman came riding, Riding, riding! The red-coats looked to their priming! She stood up, straight and still!
VII
Tlot-tlot, in the frosty silence! Tlot-tlot, in the echoing night! Nearer he came and nearer! Her face was like a light! Her eyes grew wide for a moment; she drew one last deep breath, Then her finger moved in the moonlight, Her musket shattered the moonlight, Shattered her breast in the moonlight and warned him—with her death.
VIII
He turned; he spurred to the West; he did not know who stood Bowed, with her head o'er the musket, drenched with her own red blood! Not till the dawn he heard it, his face grew grey to hear How Bess, the landlord's daughter, The landlord's black-eyed daughter, Had watched for her love in the moonlight, and died in the darkness there.
IX
Back, he spurred like a madman, shrieking a curse to the sky, With the white road smoking behind him and his rapier brandished high! Blood-red were his spurs i' the golden noon; wine-red was his velvet coat, When they shot him down on the highway, Down like a dog on the highway, And he lay in his blood on the highway, with the bunch of lace at his throat.
* * * * * *
X
And still of a winter's night, they say, when the wind is in the trees, When the moon is a ghostly galleon tossed upon cloudy seas, When the road is a ribbon of moonlight over the purple moor, A highwayman comes riding— Riding—riding— A highwayman comes riding, up to the old inn-door.
XI
Over the cobbles he clatters and clangs in the dark inn-yard; He taps with his whip on the shutters, but all is locked and barred; He whistles a tune to the window, and who should be waiting there But the landlord's black-eyed daughter, Bess, the landlord's daughter, Plaiting a dark red love-knot into her long black hair.
Winkin', Blinkin', and Nod - E. Field
Winkin', Blinkin', and Nod, one night sailed off in a wooden shoe; Sailed off on a river of crystal light into a sea of dew. "Where are you going and what do you wish?" the old moon asked the three. "We've come to fish for the herring fish that live in this beautiful sea. Nets of silver and gold have we," said Winkin', Blinkin', and Nod.
The old moon laughed and sang a song as they rocked in the wooden shoe. And the wind that sped them all night long ruffled the waves of dew. Now the little stars are the herring fish that live in that beautiful sea; "Cast your nets wherever you wish never afraid are we!" So cried the stars to the fishermen three - Winkin', and Blinkin', and Nod. So all night long their nets they threw to the stars in the twinkling foam. 'Til down from the skies came the wooden shoe bringing the fisherman home. 'Twas all so pretty a sail it seemed as if it could not be. Some folks say 'twas a dream they dreamed of sailing that misty sea. But I shall name you the fisherman three - Winkin', Blinkin', and Nod. Now Winkin' and Blinkin' are two little eyes and Nod is a little head. And the wooden shoe that sailed the skies is a wee one's trundle bed. So close your eyes while mother sings of the wonderful sights that be. And you shall see those beautiful things as you sail on the misty sea, Where the old shoe rocked the fishermen three - Winkin', Blinkin', and Nod.
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Lily
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Post by Lily on Nov 6, 2011 16:14:04 GMT -5
The Highwayman has always been one of my favourites too. Such imagery!
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BlueLotus
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Post by BlueLotus on Nov 6, 2011 16:54:43 GMT -5
No kidding... But I don't think that is why I loved it then, I think maybe it was that love that runs deep enough to sacrafice ones self to save the one you love. But what do I know... I was six lol. Barbie and Disney ruined generations of children!
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johnee
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no such self
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Post by johnee on Feb 4, 2012 22:47:06 GMT -5
btw, if you can find it, Phil Ochs (folksinger, deceased) turned The Highwayman into a great ballad. I'm sure you'd enjoy it. it was one of my favorites when i first started pickin' and grinnin'. i think it is on an album called "I Ain't Marching Anymore" or perhaps "All The News That's Fit To Sing." maybe on a compilation album or two.
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raemorgan
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Post by raemorgan on Jun 9, 2012 20:25:35 GMT -5
I've always loved The Highwayman, it evokes such imagery.
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Post by south4thesummer on Sept 21, 2012 17:06:26 GMT -5
I simply love T.S. Eliot.
Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an overwhelming question… Oh, do not ask, "What is it?" Let us go and make our visit.
In the room the women come and go Talking of Michelangelo.
The yellow fog that rubs its back upon the window-panes, The yellow smoke that rubs its muzzle on the window-panes Licked its tongue into the corners of the evening, Lingered upon the pools that stand in drains, Let fall upon its back the soot that falls from chimneys, Slipped by the terrace, made a sudden leap, And seeing that it was a soft October night, Curled once about the house, and fell asleep.
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Post by joshuachrisstoff on Feb 26, 2013 3:49:36 GMT -5
There is a true concept of mine that I do love and wish to promote here. I did do this somewhat successfully on AW until they banned me for giving a moderator his pedigree, without a great deal of tact. <GRIN>
The rules are that the poem must start with this: 'The boy stood on the burning deck . . . Add whatever floats YOUR boat!
The boy stood on the burning deck When a thort came into his head What a bloody fool he was to be standing there When he could have been home in bed!
Add your best three lines to the lead and let's see where you go to, my lovely, when you're alone in your bed, what are the thorts that surround you, I want to look inside your head! -Peter Sarstedt made this popular, maybe the seventies.
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Post by joshuachrisstoff on Feb 26, 2013 3:51:53 GMT -5
The boy stood on the burning deck His pocket full of crackers A spark leaped from the fire to his pocket And blew off both his kna . . .
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Post by jacklawson on Feb 26, 2013 14:33:20 GMT -5
;D
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marcel
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Post by marcel on Feb 28, 2013 14:33:06 GMT -5
The boy stood on the burning deck His pocket full of crackers A spark leaped from the fire to his pocket And blew off both his kna . . . Thanx for the laugh. ;D ;D ;D
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Post by joshuachrisstoff on Mar 7, 2013 8:48:19 GMT -5
The boy stood on the burning deck Picking his nose like mad And rolling them into little balls Then flicking them at his dad!
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